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DJ Premier Soundtrack For NBA Countdown Highlights

Hip-hop and basketball are strongly associated with each other. That’s why legendary hip-hop producer DJ Premier’s work on ABC’s and ESPN’s NBA Countdown has been a slam dunk.

“Premo,” as DJ Premier is affectionately called by his music colleagues and herds of fans, struck a deal to contribute several original tracks to Countdown. The tracks are used during highlights, bumps and more.
ESPN NBA Countdown director Tyrone Frison: “DJ Premier is a legendary producer with a vast catalog of classic tracks. We approached him about producing tracks exclusively for NBA Countdown to inject a cool factor and create some energy. He produced several tracks for us that we use for montages, highlights and analysts’ breakdown tapes.”

NBA Countdown analyst Jalen Rose: “Premo has been a unique creator, innovator and pioneer for the hip-hop sound for decades. Whether as an artist or producer, he will go down as one of the all-time greats.”

Front Row caught up with the legendary hip-hop figure, who has worked with many of elite MCs, from his own group Gang Starr, to Notorious B.I.G., Jay-Z and Nas. Premier discussed how Countdown analyst Jalen Rose facilitated his ESPN connection, his favorite 30 for 30 and more.

How did you connect with ESPN for this project?
Shout out to [ESPN Music’scoordinating director] Claude Mitchell and [ESPN Music director] Kevin Wilson. I have to give it up to Jalen because he had reached out to me a few years ago about doing the music for the [ESPN Films documentary] on the The Fab Five. And being that all of us were big fans of that Fab Five era, we wanted to do it. We were big fans of 30 for 30 as well, like the Maurice Clarett [Youngstown Boys] one. Jalen and I already had a relationship on that level and he was a big fan of mine and Gang Starr’s and we had an understanding musically. I remember when I got a text from Jalen saying ‘congratulations and welcome’ when he heard my music on [NBA Countdown]. Everybody was calling me when they heard it, saying, ‘It’s on, it’s on!’”

What was your trip to ESPN’s Bristol, Conn. campus like?
I got to go up to the ESPN offices, we drove up to Bristol. I got to go up to the compound and eat with the staff and everything. They took me to that food court (ESPN Café) and I was like, ‘Man, should I get Chinese food, should I get pizza? Do I get a salad? Do I get a little bit of both?’ We talked about sports the whole time. It was a really, really positive vibe. It was cool that everybody was having a good time and feeling good about my involvement in submitting the tracks.

How much ESPN do you watch?
I wake up to ESPN. That’s my morning thing. I always wake up to ESPN. I work so much in the studio so I don’t get to keep up with everything and it’s a nice, quick rundown. I was even with Jay-Z when he was on his “Watch The Throne” tour and he had a screen that was so big in his dressing room, almost a movie theatre-size, and he was watching ESPN. He was saying that he’s on the go and he is always ready to perform and that he needs to keep up with what’s going on in sports through ESPN.


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5 Responses to “DJ Premier Soundtrack For NBA Countdown Highlights”

  • Comment from yoyo

    Whats up with the ultra clean metallic fuckery right here? Sounds like he’s using eJay or some bullshit sound library to get his sounds. Where is the soul? Where is the warmth? Did he throw this together in 5 minutes? Use a fucking real drummer or a drumbreak, or give your drum kits some soul!! And that horrible Planet Phatt sound!? Only a few of the sounds from that machine works, and he’s already used them. Sounds so clean and lame. I know he can do it so much better! Call the hip hop police! Stop the über-clean wackness!!

  • Comment from mvjmvp

    I love the different sound that premier has come up with, if he used his traditional sound you say he sounds the same, when he switches it up a little you say he’s going soft. I guess you can’t please some people. Why discredit someone for being versatile?

  • Comment from yoyo

    Sorry, but being wack is not the same as being versatile! This is 100% garbage! Listen to Dilla, Madlib.. did they ever come up with something this soulless? Never!

  • Comment from Allen!

    This is not versatility :/
    Somehow, i am not able to connect myself with this.
    #sheer disappointment!

  • Comment from T.TEE

    Premo i can understand not wanting to use samples even more so with ESPN but you need to spend more time creating your own drum sounds, they sound way to generic.

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