DJ Premier owns gold and platinum records, won three Grammy awards, is the founding member of one of hip-hop’s most influential duos, has worked with everyone from Jay-Z to Notorious B.I.G. to Christina Aguilera, has a massive fanbase of loyal followers and is considered by many to be one of the greatest producers of all-time. Even with all the accolades and success, the legendary producer continues to bang out hot beats and remain relevant after more than 25 years in the game.

The Houston native who has lived in Brooklyn for most of his career says, “While I’ve accomplished a lot, I feign for more. I’m constantly thinking, ‘What can I do to make sure that I’m coming out with something that’s hot?'”

In the words of Guru, the late great emcee who worked alongside the producer in the renowned duo collectively known as Gang Starr, “Premier’s got more beats than a barn’s got hay.”

Last week, Primo was in town for the Los Angeles qualifier of the Red Bull Big Tune, the nation’s premier music producer battle. LA native Dibia$e took first place at the event which was held at the El Rey. Premier, who performed a DJ set following the competition, took some time out from his busy schedule to talk with us about young producers, country music, upcoming albums he’s working on, hanging out at Christina’s house and the long awaited return of an artist he’s worked with in the past.

Additionally, Premier also informed me that he’s “working with Guru’s family to do an official tribute.” The producer who was never mentioned by name in a controversial statement released following his long-time collaborator’s death says, “It’s going to be a really big event.” He added, “Once we get it organized properly, you’ll hear more about it.”

You’re working with Red Bull tonight as they give an opportunity to some upcoming producers. What do you think of the growing interest in production and beat making?

I think it’s a good thing. Once I’m gone and have given my energy back to the world, to the spirits who control this earth, they’ll be more people banging out beats and doing new things. Another good thing is that a lot of these producers are fans of what I do, and they’re fans of people like Dre, Notts, Alchemist, Marco Polo and on and on. What it comes down to is these guys want to bring it to the business and they’re way younger and they didn’t come up in the “Golden Era of Hip-Hop.” It just lets you know that we got a long way to go with keeping music alive and that’s really what it’s supposed to be about. I totally applaud it.

How important is it for a producer to listen to what’s being played on the radio?

I still check the radio stations, eventhough I don’t think they’re playing anything that’s hot, I still check it because I want to know what’s in their top ten. Then I’ll compare it to what I’m doing I still make sure that I am aware of what’s popping out there. I hate when I hear artists say, “I never listen to the radio, I never listen to anyone else when I’m making my album.” I think that’s bullshit because you should always know what the competition is doing. If they’re in your genre of music, you’re going to competing with them. You should stay in the know. Never turn your back on what makes this industry click. That’s how deep rooted I am, not just as a fan but as a person who respects music. I know sometimes I need to walk away from hip-hop and listen to other things. I listen to rock. I listen to country music. I’m from Texas, I love country music.

What’s your favorite country song?
George Strait, “All my Ex’s Live in Texas”

You’ve worked with so many great artists. Is there one artist you haven’t worked with yet that you’d love to produce a track for?

Ghostface. Actually the whole Wu-Tang.

Do you think we’ll see more one producer/one artist albums in the near future? Do you think that’s the best formula for great album?

I’m actually leaning towards doing that right now. Me and KRS-ONE are talking about doing another album together. Actually, we already started recording. I still want to do the Nas album. I’d love to do a whole album with Jay-Z. Smif N Wessun is about to come out with an album that’s all Pete Rock. There’s going to be quite a few people doing that again. I know Pete Rock’s definitely doing it. I’m sure there will be more. Hi-Tek and Talib Kweli just dropped that Reflection Eternal album, that was entirely produced by Hi-Tek. At the end of the day, all I want to know is, is it dope or not? I don’t care if you got 30 producers on your album, I just want to know is the shit dope? That’s all I care about.

You did some incredible tracks with D’Angelo. There was the remix to “Lady” and “Devil’s Pie.” Any word on what he’s been up to? Have you guys talked at all lately?

I just spoke to him a few days ago. We’re going back in the studio together. He’s actually going to do a hook for one of my artists, a group called NYGz – they’re on my label, Year Round Records. He’s going to do the hook but me and him are definitely going to work on some stuff. We just found each other and we were so happy to finally reconnect because it’s been a while and I haven’t been able to track him down. Now, we’re back together.

What do you like to do when you’re here in LA?

I literally just got here. I was supposed to be here yesterday but I was mixing a Fat Joe record and working on some more Kanye stuff. I’ve been all over. I was on a month-long tour and just got back about three days ago. I wanted to come out here and have a good time but I had a change of plans. I was going to give Christina Aguilera a call to tell her I was here and stop by her place for a minute but I really don’t have time. I’ve got leave at 5am tomorrow morning for my flight back to New York.

Source: laist.com

Haha, they keep on coming, the collaborations don’t stop! So the rumor of D’Angelo being on NYGz album is positive. Hopefully Premo can get D’Angelo on the right path after that incident with that undercover prostitute? D’Angelo needs to get back!! Legend.

DJ Premier talked openly with Tim Westwood about Guru last week, you hear his view on the situation extended. Enjoy:

DJ Premier talks 25th minutes openly about Guru

Kyles Files questioned DJ Premier with a lot of questions before he went on the Chigaco stage to rock the crowd. We have some more details of his upcoming projects (which are getting tooooo crazyyy)… Me highly anticipating that Gang Starr Tribute song with the Gang Starr Foundation. He also talks Gang Starr (and the rights), and like we know him… straight loyal… Damn, y’all remember Guru x DJ Premier x Chaka Khan 1995?

Do you get to Chicago often? What do you like to do when you’re here?

Um, not a lot, but I’ve been there more than 30 times. I mean, I go back to the early 90s coming there… My first time visiting was on Gang Starr promotions. that was back when Pinkhouse alive, so I go back to that. He took us to the hood, to Cabrini Green and in-store at beeper store. It was in the mall. Literally it was in the mall, and we were out there communicating with people. I liked visiting George’s Music Room. George is a great dude, and always had good promotions at his store. He even had a cookout when we did “Hard to Earn,” and I love the fact he has more glasses than Elton John. Elton John claims to have more unique glasses, but I think George is in the running for that.

I know you’re at The Shrine on Wednesday. What can the crowd expect?

I do everything… Gang Starr tribute. I do a block of Premier production. Sometimes, I go back to the breaks. I’ll do the original sample and then play the record I made from the sample. It depends on the response from the crowd. I explain to them the history and lecture them:this is what made me hot and what was played when I was a little boy. This is what made me who I am.

What are you working on right now, so your fans can be up on what to expect? I hear you’re working on a mixtape with MC Eiht.

Me and Eiht go back to’ 89 when did first show in LA with Dub-C and Coolio. Coolio was a hype man still, and this was literally when Ice Cube had just left NWA. Suge Knight was doing security. That was my first time in LA. I go that far back. I remember seeing Masta Ace… and we did a show where there was fighting going on in the background. There was more action backstage than onstage. Masta had two beepers, fresh Jheri curl, and he told me he had a new group, Compton’s Most Wanted… We stayed in touch through the years, and I was doing a remix for Blaq Poet… this single “Ain’t Nothing Changed,” him and Young Maylay, Dub-C and Crazy Toons… also King Tee. Maylay is new dope MC… wanted to put Melee on and I happened to run into Eiht on the humble and told him what we were doing, get in on that remix. Sent him the track, his verse sounded like verse to set it off. Did this while working on Xtina’s album… I was out there working at the time, shot the video, get some scenes. Label rep shot video, quick run… found spot to film and girls walking across the street, filmed hearse, film that helicopter… police coming and told them shooting for class in college, drove by, got them… you can use that. Turned out to be good viral stuff for us. Me and Eight said damn, want to do project, and I would too. Do an album… had album worth of stuff. CD with 40 songs, went thru it and mixing weren’t good, but music and vocals were good. Two or three albums worth of stuff. Want some premier stuff, and send me all the sessions and let me and my team mix them. Cut down on time to put out album… we still waiting for the parts. Ran thru every single one, picked titles… Got back on the phone and played over song, that’s the name of the title. Pulled best 20 and nailed that down. Sent one that should “Fine By Me” is the one I want to jump off (official single/Premier-produced) and single is called “Don’t Hesitate”. Just played for label and said wow… Start shaping the album with what he has. Pulled 20, and I’ll do three new songs… Premier cuts… all the albums this year.

Who are you working with personally for your label?

I have group NYG’z “Hustle’s Union: Local NYG,” and an artist out of Texas named Khaleel, who has a track called “Already”. I did half the Khaleel album and the rest he did with his team in Texas. It has Bun B on it. I have an artist from New Jersey named Nick Javas and his album is called “Destination Unknown” and I’m doing 90% of that album… He’s on tour with me right now. He’s coming out to the show with me. We just did a single, “Opportunity Knocks” and we just shot the video. It’s very creative, and it’s a re-inactment of his audition trying to convince me to sign him to his label… I grade each verse he does by responding to him in scratches… I scratch… He responds to my scratch. And he”s like an Urkel-looking guy beating on my door. Throughout the song, I’m annoyed because my label rep won’t answer the door… I’m in my studio, and my rep won’t answer the door. I’m frustrated. I sound frustrated when I answer the door telling him what do you want… this is not how do you business, and he insists he is the missing link to my label.

Wow, that sounds hot. I want to watch it right now, but I won’t. Gotta focus. Now, all these artists, how are they on the mic… you know we’ve got a lotta…

Yeah, I know what you’re about to say. Without a doubt, my artists are more lyrical. I pride myself on dope lyrics, dope beats. And I find them everywhere. I got a guy from Texas, New Jersey, another group born and raised in the Bronx and then MC Eiht. Me and KRS-One are doing an album together… we just started.

How can we hear some of what you’re working on?

I’m doing a Year-Round EP and some of this will be on there. I have one single with KRS-One and Grand Puba called “5 Percenters” and putting Young Maylay’s track out, Khaleel’s and if everything goes well, there’ll be a bonus track with a Gang Starr tribute, Group Home, Jeru the Damaja and Big Shug… the originators.

I know Gang Starr fans will be excited. So can you do that? I know with all the drama with Solar saying he has the rights to Guru’s music… Can you put things out?

I’m working with the mother of Guru’s son, and his son is his next of kin, and he has the estate. Plus, we never dissolved our contract… never said we were done, and so we’re still signed together, so I also have rights to Gang Starr. My rights were as equal as Guru’s. Out of respect for him and his family, since I’ve known his family, sister and brother, I will always run things by them before making moves. Any money will go to his son, KC, or the family. His son is 9 years old, and I want him to collect from any profit. Gang Starr is a money maker, our logos and T-shirts are selling up to this day. And that’s not all you’ll get from Gang Starr. I have tons of video footage, DVDs and I don’t want to hold on to this stuff. I want to put it out in public and show the fun times we had. The way certain people in the media put it out, we were not cool, but we had a billion fun times, acting silly and crazy. We were together for 5 years and 6 albums… No matter how many fights, we were consistent.

Do you think it tarnished Guru’s legacy? The controversy over his dealings with Solar?

Yeah, I won’t mention that other guy’s name… He’s way too beneath me to do that… But I don’t have to say anything. Looking at all the different blogs, the Internet and stuff, all that stuff is against the other guy. No, for the most part, I thought it was good and they don’t diss Guru. Through most of it, I see ‘for all this bullshit, Guru, we love you’. The legacy always will be there. Dude is a legend and that’s all people care about… I will always love Gang Starr and that was Guru’s baby. Nobody will ever take that away.

Clearly, there is no question of your hip-hop domination. One blog referred to you as the “fifth element” of hip-hop. I know you’ve worked with Christina Aguilera in the past. Is there a genre you want to try?

Definitely rock music or new wave music. I’m 44 years old, and I’m from the new wave era. I was brought up on Pyschedelic Furs, the Cure, Siouxise and the Banshees, B-52s and U2s before they became this huge rock band… I was into them, and now U2 is super huge, but I went to concerts way before they blew up. And I like that. I want to see artists blow eventually and I know when they will. I can feel their energy. Same with Public Enemy. When they came out, I knew they were gonna be large. They were just different. Their stuff was raw.

Who do you feel like that about now? Artist-wise.

You know… I love Kanye, but he has established himself already. I like what Drake is doing, but I don’t know how far that will go to be 100%… No I.D. made comments about this. When you’re a ladies’ man, it’s risky because girls are in love with you and then they’re not… and you’re thought of as just for the lovers and not for the guys… It’s a risk… I hope his success continues for the rest of his life. Don’t get me wrong. And the other guy, I hope he can get himself together.

Who Solar? Are you serious?

Yeah, I’m not that type of guy. I wish the best for people.

Well, let’s broaden the question. Some of my Twitter fam want me to ask you what you think of hip-hop today. Is it better, worse, even?

I think it’s getting better because people like myself care to keep it going. I’ve got a radio show from 10 to midnight [ET] on Sirius, and I love the fact it’s uncensored. They don’t give me any rules. It’s cmmercial free and they even. Stress me about talking less and playing more music. I love Drake, but his records don’t usually fit my format… I have sound like Run DMC… rugged and gutter… I played “Forever” at first, but when it was too heavy on radio, I moved on. I’ve always played records I think have underground appeal… where hip- hop came from… I have to make sure that audience is pleased in some form or fashion. Somebody has to hold the “roots portion” down. And I want to do other things. I want to expand and do TV shows, cartoons, score films. Me and Chaka Khan just got off the phone and are working on album…

Yeah? You and Chaka?

Yes, she trusts my vision and she knows about my respect for her Rufus stuff and her solo stuff and she understands I get it. Our conversation was so great, and I’m sending her some stuff… and she’s all excited and I’m excited.

Six degrees time. You are working with Chaka, who worked with Kanye West. And now, you’re working with Kanye on his new album?

Yes, he has one track already. We’ve communicated already about that, and he told me he needs two more… He said ‘please hurry up and get some more over tome,’ but I’m on tour this week and I need to see niece graduate… Then I’m back to work. He has the one already… he hasn’t written it…

What does it sound like?

It’s raw, uncut… The track is really hard, very diff from his usual production.

Is it hard to work with another producer, even though he is also a rapper?

No. If we’re not clicking, not type to hold my tongue. When play rough demos, that one needs work… and I know he appreciates that I’m not yessing him, even though he’s Kanye West.

Kanye West. Yes, he’s talented, but you can always say, well yeah, well you’re Premier. Any other Chi MCs you working with right now?

I’m about to work with Common again… I did some scratches on “The Game”, but about to really work with him very soon.

I know I can’t hold you all day, though I wish I could. But I’m dying to know something about you as a producer. Recently, you’ve shared that you had a rivalry with Pete Rock. What other current or past producers really challenge you to bring your A-game?

Definitely Dre, DJ Scratch… I like Marco Polo… from Toronto. He has unique beats.

If you weren’t a deejay or producer, what would you have been?

Oh man. I used to work at a record store and used to deal with the distribution company and I’d say I need 12inhes of these records, 3 of these and I’d be haggling with my boss. He’d ask me how I’d know what to do and I’d tell him that I’m a deejay and I love music and I judge based on customers that come in… I’d be hat deep into to know what would work and not going to work… I take any job I do seriously. I studied computers in school and that’s not what wanted to do. I’m a risk taker, and I’m glad I could do this to get good music out there… I thank Guru every day for asking me to be in the group. I had group of my own and they weren’t fully capable of hanging in. My main guy went into military because he got frustrated with the time it took us for demo shopping. We all went to school together and Guru was looking for a producer/deejay, and once main guy left, I was on my own. I reached out and said I was available. My guy was enlisted for four years, and you know I wasn’t waiting that long. We did “Words I Manifest,” and it happened to take off and we shot a video… I didn’t sign until the second album because I still felt like outsider because Gang Starr was in existence before me and felt like a new guy.

Source: chicagonow.com

Shout out to Defrag.

DJ Premier vs Pete Rock album is coming, 6 tracks of Premier produced and 6 tracks of Pete Rock produced with ANY artist.

Hello everybody, I tell you one thing: anybody who doesn’t know about the name Eddie Sancho isn’t a real Gang Starr head. Voila. I always had this man high in the list of the people I want to ask just a couple of question. I remember buying my favorite 12inches (off course Premo produced) and always saw (almost everytime) this name popping up… Who the fuck was this guy? Just read the discogs profile as we enter the interview: “”Engineer Extraordinaire” aka Eddie Sancho is an engineer from New York, NY, USA. He is mostly known for his work with hip hop’s greatest stars, such as Jay-Z, Nas, Gang Starr, KRS-One and many more.”

– Some people say your are one of the reasons of the Premo sound in the 90s, can you introduce yourself to the readers?

What up this is Eddie Sancho, born and raised in Queens, New York. Premier has always been crazy with the production and beats way before we even met. But it’s true when we started working together, both of us excelled in our craft.  Premier with the beats and me with my engineering skills created something special! It’s hard to find words to describe our combination, but M.O.P. summed it up perfect with their lyrics on Follow Instructions, “Bill and Fame make magic like Premier and Eddie Sancho”. What more can I say!

– How did you got in touch with engineering and with DJ Premier?

Way before becoming an engineer I started off as a DJ. Any income I was making at the time would all be gone buying records at the famous “Rock & Soul” record store in NYC.  I would vibe off all genres of music and loved to read the credits on them. I started noticing and realizing that theirs so much involvement that goes on in making music. I would read the credits and see produced, recorded, engineered and mixed by such and such and I was like what does this all mean. While looking for answers to all this, I remember hearing a radio commercial for IAR (Institute of Audio Research) and basically the message was “get involved in the music business, make a future for yourself in audio”. I knew right there and then this is what I wanted and that I was gonna make it happen!

My first collaboration with Premier happened while working with Lord Finesse on “Return of the Funky Man” Remix. Premier came in to record scratches for the song and at the time he was looking for a studio to work on the “Daily Operation” album. Premier liked the way the mix sounded and contacted me the next day to assist him on the album. Premier had another engineer working with him, but he quickly noticed my work ethic and made a decision for me to take over the project, and as you know the rest is history!

– A lot of people are misunderstanding the work of an engineer, can you tell us exactly what you did and what the process was?

The role of a engineer is not only to record audio, but to edit and mix it in such a way to make the audio sound the best it possibly can! Times have changed and everything is digital now, but I’m glad I came up in the era of analog. I remember recording on 2″ tape and mixing down to 1/2″ tape. Setting up for live sessions with lots of outboard gear and making sure everything would work properly. It was definitely more work, but it was a great learning experience! I feel there are two sides to an engineer: The Technical and the Creative side, both that I have mastered with my experience over the years. During the recording session, my responsibility is getting clean, balanced recordings of all audio tracks. Beyond that, I can be involved with the creative process as the client wishes. It all depends on the relationship with the client, but for the most part they respect my opinion. Once all of the audio has been recorded, and if any overdubs or edits are needed, the next process is to mix the song. Mixing is
what I concentrate and do more of now. This is what I truly love in taking a song at it’s raw stage and making it bang through the speakers!

– You produced Rawcotiks “Hardcore Hip Hop” and a few other tracks, how come so less? Never thought of becoming a producer?

Absolutely!! It’s just a matter of finding time within my work schedule due to all the requests I get as a Mix Engineer. Part of my success as an engineer is because I’ve been doing it for so long now and I’m good at it, so to put my name as a producer on something has to be right and carry the same weight, but I’ve made it a priority to get my production heard this year and beyond. It might take me a little longer like I said due to my schedule, but it will be worth
while, trust me!

– You worked with the most classic tracks in hip hop history, any stories behind these tracks?

I have way too many stories and unfortunately they are very personal to me and won’t be able to share them all, but there’s one Jay-Z moment I can speak on, it happened back in Oct. 1999 while working on “So Ghetto”. There was a baseball playoff game between the NY Mets & Atlanta Braves. (FYI: I’m a huge Mets Fan!) So everyone is watching the game in the lounge as well as Jay-Z and I remember he was on his 2way texting back and fourth with Jermaine Dupri (he’s from Atlanta) about the game whether the Mets would come out with a win, and I remember when Jay-Z was ready to do vocals, I had him waiting until the game was over (laughing), but he was mad cool about it. It was just a funny situation.

– With the tragic passing of your friend Guru, how was he in real life? Who was Guru for you?

To be honest it hasn’t really hit me that Guru is not with us anymore. I was on my way to L.A. when I heard the sad news and just maintained focused by blasting Gang Starr music on my iPod. Guru is family and we shared great times together! Not only do I respect him as a person and an artist, but he was a good friend as well and just very blessed to have worked with him in the early start of my career. I will never forget the love he always showed. Guru will be missed, but his legacy will always remain with us through his music!!!

– You probably the man to ask, do you know anything about unreleased Gang Starr tracks?

I don’t know of any that I’m aware of.

– What’s favorite tracks that you’ve worked with?

Oh man, way too many to name, but any songs from Gang Starr, Jay-Z, Biggie, Nas, KRS, Dilated, Evidence, Alchemist, M.O.P., Prodigy, Rakim. I can go on,  just way too many too name!!!

– What you’ve up to now Eddie?

On the Mixing Side: currently I’m finishing Ev’s new album “Cats & Dogs”, be on a look out for that dropping this year! Then I will be working with Rockin’ Squat from France on his upcoming album. Dilated Peoples new album towards the end of the year and a couple of other projects in between. On the Production Side: I’ve been in the lab working with two great artists this year… The first is with Singer/Songwriter/Bass/Guitar player Iserene Oasis the Bass Sis! With an intro like that you know it’s gonna be dope!! (laughs). It’s a mixture of funk, rock, neo-soul, folk alternative with some straight headbanging beats! Check out more music from Iserene at http://www.myspace.com/isereneoasis. The second is with the talented Maria Isa. I met Maria at an Evidence show in New York City, but she resides in Minnesota. I was very surprised when I listened to her album “Street Politics”. I felt her vibe and everything about her music. We’re currently working on a couple of songs for her upcoming mix tape album “Sip It”. All I can say is that she got skills with the rhymes and can sing as well. A multi-talented powerhouse! Check out more music from Maria at http://www.myspace.com/mariaisalolita.

– Why can’t we see you anymore on the inner notes of new Premo 12inch?

It’s coming!

Under: Biggest Gord, Mike Rone, Lil Dap, Jeru’s cousin Main
Up: DJ Premier, Jeru the Damaja, Guru, Eddie Sancho

I would like to thank Eddie for his time and making me feel like a journalist haha. Oh Lord, why did I start this blog? And yes, there are unreleased Gang Starr tracks Preem told me. You can check out Sancho’s almost complete engineering list at Discogs and you can also follow him on Twitter:

http://twitter.com/eddiesancho

Once again respect to the 90s.

-gimantalon

Finally a reporter asked how he met Nick Javas. Dope interview.

VIBE: Do you feel like your relationship with Guru has been misrepresented by Solar?

DJ Premier: Well, I’ve always held down Guru… His spirit knows this. He used to get upset about so much stuff when we were dealing with the label all the time. We both would be upset. But I would take the calls because when he was upset he would flip [Laughs], where you might not be able to handle him when he’s wilding out. With me, although I had a temper, I was much calmer about it. But I always remember whenever I would tell him, “Yo Guru, don’t worry about it, they are going to take care of it,” he would be happy as fuck. He would be like, “Yo, let’s go out for a drink.” He was the go-out king. That was his routine. He was definitely a celebratory guy. Anyone from our era knows that Guru was in every club and every bar and every spot. He could go all night, all day. And he would never be tired!

When was the last time you spoke to Guru?

It was March 30, 2004. April 1 was the last email I received from him and I just found it in my computer. We were pretty much going at it about him straightening his life up with the drinking and everything… just getting himself together. Because talent wise, drinking or sober, he was always on point in the lab. He could lay down his vocals with no problem and he always wrote his rhymes dope. When he wrote his rhymes on page they were so messy [Laughs]. I used to ask him, “How can you even recite the verses and flow?” He would be in the booth turning the paper upside down while he’s still rhyming and without having to punch in.

Was there ever a time when you felt Gang Starr was going to break up during your successful run in the ‘90s?

Yes. That was with the Moment of Truth album, which was the most emotional album for both of us. I had actually left the group before that album came out. I’ve never really told that story, but even Guru knew although he’s not here to defend that—but I had left the group. We were not getting along over stupid shit so I straight up said, “I’m out of here.” He was going through his gun trial and facing a five-year bid. I have to thank our tour manager who I went to college with and who is a major part of my life to this day. Even with his own problems with Guru, he was like, “Yo man, you need to go back to him. Y’all were meant to be a duo, man.” Then the trial was about to happen and I called Guru and said, “I want to do this.” We made up, everything was cool and I went to his trial everyday with his parents and our Gang Starr lawyer and our criminal lawyer. We were there every day. Guru was so scared that he could have gone to jail for five years, so that’s why that whole time was very emotional. I had just had a major death in my family. I was not really focused. I just remember our lawyer telling us, “If Guru goes to jail, you are going to have to promote the album by yourself.” That entire time was crazy.

How ironic was it that the Moment of Truth ended up becoming your first gold album?

Guru used to always say from every album, “All I want is a gold album…we deserve it; we are as hot as all these platinum artists.” So when we got that one he was the happiest guy in the world. He even designed the gold plaque. I remember we spent almost $10,000 on buying plaques for everybody that we knew deserved one [Laughs]. There was a DJ who taught me how to scratch—I brought him one; I brought my parents, my sisters, all my friends who was hanging with us from day one. That’s real talk. That’s why that album is so special.

What kind of sense did you get of the future of Gang Starr from your conversations with Guru?

It was pretty much stay focused on getting your life together. Everybody knows he had a history of drinking. That was no secret. But he had cut down some. He was getting it together, but he kept going back to it. His attitude could switch from being the funniest guy, joking around to just flipping out. But we were so used to him after all these years that we just dealt with it.

What are your favorite memories of Guru beyond the music?

Besides the music and the tours, I lived with him from ’88 to ’93. That’s a lot of years to live together. Everything would come through our house… wild parties every night. We lived that rock-and-roll lifestyle and weren’t even going platinum. We were making steady money because we did a lot of shows, but we lived that rock lifestyle to the fullest. You look at any rock group that had all the girls and the wildness, we did that. It was like college. There would be liquor bottles almost a mile long still in the house, some of them half empty. Guru was the type of dude who would get up, hold it up to the light to make sure there were no ashes in it and guzzle it the next day. [Group Home member] used to hide pizza in the dishwasher so no one would take his food. We used to be together in Brooklyn all the time. We would run around with guns and stuff, acting like we [were] fly. We were aiming the guns at each other like idiots [Laughs].

Now that’s crazy…

Yeah. It was dumb shit like that, but you laugh at it now because those were the fucking days. We had the party house, which was Brandford Marsalis’ house on Washington Ave. Cypress Hill was at our house before they even came out with “How I Could Just Kill A Man” video. They had just come to New York to meet up with Ice Cube. Easy Mo B would tell you, RZA would tell you… He was there before the Wu-Tang Clan. We met Biggie around that time before he had a record deal. Puff used to come to Brooklyn to come scoop him up to go to the studio and BIG was frustrated because he was stressing to get money. We would be on the corner smoking and drinking with BIG everyday. It would be me, Guru, Big Shug and Dap, who I remember had the biggest crush on Lil’ Kim and this is before she was even rhyming. We used to trade porno flicks with BIG’s man Mr. Cee on the way to the weed spot. Everybody would be in there blazing, drinking and girls, girls, girls would be there all the time.

What do you make of the rumors that Guru was gay because of the close relationship he had with Solar?

Like I just said, I don’t believe it. All these little rumors about Guru and some other shit… it can’t be. Because he had too many women.

How hurtful was it that one person could destroy someone’s legacy the way Solar has?

It hurts. But that’s based on the fact that none of the things being said are true. Just from the amount of work we have put in… We talking about almost 18 years. That’s a long time. If we didn’t make history, maybe I could deal with it a different way. But we made history together and he was alive to see it. Guru was able to get two gold albums; he was able to do the Jazzmatazz album. So everything that we gained makes you think, “You mean to tell me you are going to blow it all away and act like that’s not an important part of what made us who we are?” With a silly ass letter like that??? When you say ‘Ex-DJ’ where is my name at? Because there are two other DJ’s that was DJing with Guru besides me. There was Doo Wop and Shawn Ski, who was our backup DJ when I had to go back to college. He always held us down. Calling me the ex-DJ doesn’t mean anything to me. Why don’t you just say Christopher Martin?

Wassup with all those interviews haha? But it still don’t bore me! DJ Premier talks about digging, hip hop, and influences.

DJ Premier & Pete Rock were sitting together for an interview when they had to do their show in Montreal, Canada. A local radio station took their time to both interview them and I have off course the audio of that. They talk about their upcoming projects, their secret project, InI, Guru, who’s the best today in NY, the best places for hip hop outside USA, working with artists outside the USA and they had to define each other style in one word + giving  top 3 of each other and some other games… Props to Pete Rock for naming a fucking real top 3 of DJ Premier, damn!  Don’t expect their project with 9th Wonder soon, at least next year if you hear what DJ Premier is going to release this year (if he’ll make it). And Preems next European collaboration is with the France group Soulcast, somebody got more info of them? Couldn’t find it. Enjoy:

DJ Premier & Pete Rock Sits Together With CISM 89.3FM

Also: Erykah Badu quote on DJ Premier, Dr. Dre & J Dilla.